Nuit Blanche 2026: Sacred and Profane
Saturday, October 3–Sunday, October 4, 2026
5:30 pm–7 am (galleries open until 2 am)
As Nuit Blanche marks its 20th anniversary, the Aga Khan Museum, the Aga Khan Park, and the Ismaili Centre Toronto will transform the night into a celebration of art, music, and reflection inspired by the city-wide theme, Tomorrow’s Memories.
The Aga Khan Museum presents Sacred and Profane, an exploration of the Arts as living spaces that draw on the past, exist in the present and point us to the future. Ritual and everyday life meet at the threshold where devotion, labor, memory and movement intertwine.
Spend the night at the Museum and discover captivating installations and live performances that invite you to see these spaces in new ways. Plus, enjoy FREE admission to the gallery, with extended hours until 2 am.
Schedule
Stay tuned for the full schedule coming soon!
materia prima
Featured Installation by JAH QUBE
7 pm–7 am
“Art is the imitation of nature in her mode of operation”
— Titus Burckhardt, Alchemy
Evoking cosmic unity like a lotus flower floating in a pond, materia prima is an enactment of divine emanation. An icosahedron crystal unfolds into a bloom of cupolas, harmoniously tied to an invisible center aligned with the central axis of the Aga Khan Museum Park. Drawn taut over an aluminum skeleton, rip-stop nylon — the fabric of tents and temporary shelter — becomes a veil of light, its inner glow a reminder of the eternal essence concealed within every form. Regarded by alchemists as the substance of the soul, its geometric structure is the materia contained in all things and, paradoxically, contains all things.
JAH QUBE
The Museum of Tomorrow’s Memories
Featured Installation by Mina Talaee
7 pm–7 am
The Museum of Tomorrow’s Memories is an outdoor installation that presents a series of sculptural works displayed on white plinths, arranged like a temporary museum in a public space. Familiar objects—a phone, stacks of event guides, soft materials—appear altered, fragmented, or incomplete, as if something essential has been lost. As audiences move through the installation, they encounter works including a plaster cast of a disconnected device, tightly compressed printed materials, footprints pressed into clay, and a bridge formed from dust and earth. A faint, fragmented voice moves through the space, appearing and fading without fully forming. Over the course of the night, the installation subtly shifts—objects disappear, meanings change, and no two visits are exactly the same.
Mina Talaee
The Museum’s Performing Arts programming is generously supported by the Nanji Family Foundation.
Nuit Blanche is presented by
Government Partners