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Museum Collections Themed Installation: Birds

Take flight on a journey through the ages as you encounter fascinating sights and stories

January 30–September 17, 2023

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Parts of the gallery are refreshed twice a year with themed installations that explore special topics and allow light-sensitive materials to rest.

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The Museum Collections Gallery of the Aga Khan Museum is dedicated to showcasing the artistic achievements and lasting legacies of Muslim civilizations between the 9th and 19th centuries, from as far afield as Spain in the west and China in the east, as well as the interventions by contemporary artists that spark dialogue between the past and present.

Birds

June to January 2023 

Take flight on a journey through the ages as you encounter fascinating sights and stories within the Aga Khan Museum’s newest themed installation: Birds.

The Birds rotation features masterpieces from the Museum’s Permanent Collection that evoke the splendour of the avian world – from a luxurious silk robe to paintings and ancient artifacts.

Birds have long played an important role in the Muslim world, being cherished as messengers, companions, indicators of seasonal change, sources of nutritional and medical remedies, subjects of domestic and courtly sports and amusement, and even political gifts. The multifaceted presence of birds in human lives has also made them significant symbols in mythology, religion, folklore, cultural traditions, and the arts associated with them.

Drawing showing the fondness of the Mughal emperor for natural scenes. A variety of more than 20 different large and small birds, including peacocks, a turkey, mallard ducks, an ostrich, and a flamingo are depicted in this tinted single-page drawing of a landscape with trees, hills, and small buildings that suggest a village.

Within the larger Birds rotation, you’ll find featured installations, including The Golden Cage by contemporary artist Hakan Topal and an installation by British painter Elizabeth Gwillim, which examines the transformation of natural history studies in India between the 1600s and 1800s, by pairing five life-size watercolour paintings with four paintings from the Museum’s Permanent Collection.

Birds in Dialogue is presented in partnership with The Gwillim Project, an international research network funded by the Social Sciences and Humanities Research Council of Canada, in collaboration with Rare Books and Special Collections, McGill University.

 

Visit The Gwillim Project and The Golden Cage in 3D!

Featured Objects

Young Men Carried Off by a Simurgh
A young man grips the feet of an enormous technicolour simurgh flying above choppy waters filled with giant turtles, fish and a crocodile which looks like a makara, the mythical sea creature with magic powers. A border of flowers and vines with tremendous detail

Young Men Carried Off by a Simurgh

A Prince and a Hermit, Folio from Diwan of Amir Shahi
The scene depicts a young princely figure and a large group of attendants, dressed and prepared for the hunt but stopping at a hermit’s cave. A border of birds and foxes, flowers and vines.

A Prince and a Hermit, Folio from Diwan of Amir Shahi

Congregation of Birds
Drawing showing the fondness of the Mughal emperor for natural scenes. A variety of more than 20 different large and small birds, including peacocks, a turkey, mallard ducks, an ostrich, and a flamingo are depicted in this tinted single-page drawing of a landscape with trees, hills, and small buildings that suggest a village.

Congregation of Birds

Manuscript of Zad Al-Maʻad (Provisions for the Hereafter) with Lacquer Binding
The lacquer binding is decorated with sprays of flora and vegetation in gold on a black ground. The design radiates from the centre, creating an elaborate ogival pattern that parallels the illuminations in the manuscript. The centre features a rose bush with flowers in various stages of bloom with three nightingales perched on its stems

Manuscript of Zad Al-Maʻad (Provisions for the Hereafter) with Lacquer Binding

Bowl
Pseudo inscriptions run along the bowl’s rim. Abstract motifs surround a stylized bird—perhaps a peacock—with a long tail raised above its back. Enclosed in an almond-shaped interlace pattern, this tail expands across the bowl’s centre.

Bowl

Incense Burner
Measuring almost 30 centimetres in height and cast in bronze, this bird-shaped object[1] once served as an incense burner

Incense Burner

Cockerel-Headed Ewer
Blue ceramic jug with peacock carved into it, with the tail as a handle and the body etched with patterned features.

Cockerel-Headed Ewer

Pitcher with Lustre-Painted Peacocks
Water and serving jug with ornate handle, lustre-painting on an opaque white glaze, and a transparent cobalt glaze on the exterior.

Pitcher with Lustre-Painted Peacocks

Robe
Patterned knee-length woven silk robe.

Robe