Drawing depicts a young man seated cross-legged in a rocky landscape with a feather-emblazoned turban. Surrounded by multiple layers of borders, with floral decorated illumination on gold flecked paper.
AKM438, A Prince Seated in a Rocky Landscape

© The Aga Khan Museum

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A Prince Seated in a Rocky Landscape
  • Accession Number:AKM438
  • Place:Iran, Isfahan
  • Dimensions:32.3 x 21.2 cm
  • Date:1640–60
  • Materials and Technique:ink, opaque watercolour, and gold on paper
  • This single-page drawing depicts a young man seated in a rocky landscape, a topic made popular by famed artist Reza-e ‘Abbasi (ca. 1565–1635). ‘Abbasi’s figures are often shown drinking wine from a cup or reading a book, and some even hold a flower. In this drawing, the young man’s clothing style and rich accoutrements suggest that he may be a prince.

Further Reading


Reza-e ‘Abbasi had an enormous impact on Isfahan painting and artists of the 17th century. His numerous students and followers, including artists Muhammad Qasim and Muhammad Yusuf, imitated his style of drawing as well as his topics. ‘Abbasi’s drawings of daily life in nature—collected in the Reza-e ‘Abbasi Album—demonstrate his superior draftsmanship and superlative creativity.


The lavishly executed, feather-emblazoned turban is typical of ‘Abbasi’s style. The shaved face and long curls of the prince are characteristic of Isfahan painting, as are the elaborate knotted belt and the napkin he clutches. Idealized portraits of courtly, handsome princes played an important role in spreading the models and styles of the 17th century.


This single-page drawing is framed in different layers of borders. Calligraphic verses written diagonally in good nasta‘liq script occupy the top and bottom border and are from the divan (collected works) of Hafiz. The verses on both sides of the young man, accompanied by four floral decorated illuminations, are by the poet Sa‘di. The outer borders of gold-flecked paper support this arrangement.


The drawing’s style also has stylistic similarities with other drawings in the Aga Khan Museum Collection, including AKM435, AKM437, and AKM440. Parallels include the treatment of wrinkles in the headgear and clothing. The artist’s unsubtle use of colour in this drawing and the black contours of the body make the work appear flat.


— Filiz Çakır Phillip

Phillip, Filiz Çakır. Enchanted lines: drawings from the Aga Khan Museum collection. 2014. ISBN: 9780991992874 
Welch, Anthony. Artists for the Shah: Late Sixteenth-Century Painting at the Imperial Court of Iran. New Haven, CT: Yale University Press, 1976. ISBN: 9780300019155

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.


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